Irène Deliège obtained her qualifications at the Royal Conservatory of Brussels. His works have been commissioned by orchestras, festivals, soloists and ensembles around the world. Davidson studied composition with Terry Riley following vocal studies in Kerala, South India. In residence at the Brisbane Powerhouse it undertakes regular international tours, festival appearances and recordings. His quintet, Topology, is one of Australia's leading exploratory ensembles. Robert Davidson is Head of Composition at the University of Queensland School of Music. She studies emotion and expression in performance, vocal studies, musical development, and music and health. Jane Davidson is Deputy Director of the ARC Centre of Excellence for the History of Emotions and Callaway/Tunley Chair of Music at The University of Western Australia. His PhD was in African/Western Cross-Cultural music composition. His work focus has been the incorporation of non-western music and musical embodiment in music pedagogy. He spent six years in South Africa playing and researching indigenous music and produced a radio documentary series for ABC Radio. Jim Chapman is lecturer in music at the University of Newcastle, a guitarist and composer with a background in jazz, popular and world music. He is currently Head of Entertainment Business Management at JMC Academy in Brisbane, Australia. His PhD was an auto-ethnographic study of the role of digital technologies in the careers of independent musicians. Hugh Brown has played music since he was a singing Christmas tree in Kindergarten. He is the author of the book Computers in Music Education: Amplifying Musicality, published by Routledge in New York. His creative activities focus on real-time audio- visual works using generative processes and live-coding performances. His research focuses on technologies that support creativity and learning, algorithmic music and art, and the philosophy of technology. He is Professor of Digital Arts at the Queensland Conservatorium, Griffith University, in Brisbane, Australia. Brown is an educator, researcher, musician and author. His book, Sync or Swarm: Improvising Music in a Complex Age, was awarded the Alan P. He has released seven CDs and one DVD and performs internationally. Outside the world of Academia, John is also a proud recent father, a professional bass-baritone and amateur pianist, cyclist, and photographer.īert Bongers is Associate Professor at the Faculty of Design, Architecture and Building at the University of Technology Sydney (UTS), where he leads the Interactivation Studio-a laboratory with a flexible infrastructure to support a wide variety of activities in design and research of interactivating objects and spaces.ĭavid Borgo is a saxophonist, ethnomusicologist and Associate Professor of Music at the University of California San Diego. His research interests include Music and Evolution, Motivation, Movement, Emotion, and Health. John Bispham completed an MPhil Degree at the Centre for Music and Science, University of Cambridge, UK, and has recently transferred his PhD candidature to the Department of Psychology, Macquarie University, Australia. He is currently affiliated with Queensland University of Technology, engaged in research on live AV practices while lecturing in music technology. He has performed at numerous festivals and is a curator of radio shows and performance series. As a composer he has contributed works to Half Theory, Else Product, Alias Frequencies and Room40 record labels. Lloyd Barrett is an audio-visual artist with over a decade of experience in the Brisbane experimental music scene. Steve’s ideas, insights and inspiration will live on in this and his many other publications and initiatives, as well as in the hearts and actions of those of us who were privileged to know him. He was very proud of this volume and it was, sadly, one of his final projects. Most of all Steve understood the power of music to transform lives. He was passionate about music education, community music, and innovative uses of music technology. Steve Dillon, the series editor and a chapter author, passed away just prior to this book being completed. No part of this book may be reproduced without the prior permission of the copyright owner. Brown and contributorsĪll rights for this book reserved. This book first published in 2012 by Cambridge Scholars PublishingĮlectronic versions published by Exploding Art Pty LtdĬopyright © 2012 by Andrew R. Meaningful music making for life Series, Book 4,
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